By Will Kaufman
The Nineteen Seventies was once probably the most culturally vivid sessions in American historical past. This publication discusses the dominant cultural varieties of the Nineteen Seventies - fiction and poetry; tv and drama; movie and visible tradition; renowned track and elegance; public area and spectacle - and the decade's such a lot influential practitioners and texts: from Toni Morrison to All within the relations, from Diane Arbus to Bruce Springsteen, from M.A.S.H. to Taxi driving force and from disco divas to Vietnam protesters. according to those that examine the seventies the time of disco, polyester and narcissism, this publication rewrites the severe engagement with one in all America's so much misunderstood a long time
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Additional resources for American culture in the 1970s
The notion was that as the clock struck midnight on January 31, 1969, some spirit of invention and resistance peculiar to the time would magically disappear . 3 In the light of such scepticism over the value of placing interpretive weight on years beginning or ending in 0, some cultural critics and historians have opted for other strategies. At one extreme, for instance, Stephen Paul Miller takes his cue from Foucault, breaking down the decade into smaller components: ‘Michel Foucault’s The Order of Things (1967) uses the term “episteme” to describe an era’s prevailing mindset, its epistemological horizons .
He rises up; he has the hard-rock look, all right; he is a big tall man with brown skin and an Afro and a goatee and a black turtleneck much like Lenny’s, and he stands up beside the piano, next to Lenny’s million-dollar chatchka flotilla of family photographs. 53 As Michael E. 54 But it is important not to let such dramatic events (and their highly stylised coverage) obscure perhaps more significant events, such as the first presidential candidacy of an African American woman, Shirley Chisholm, in 1972, four years after she had become the first African American woman elected to Congress.
The net effect of this remarkable omission in modern American awareness of the Arab or Islamic Orient is to keep the region and its people conceptually emasculated, reduced to ‘attitudes’, ‘trends’, statistics: in short, dehumanized. (291) Said’s unfortunate gender bias in this instance (the equation of dehumanisation with emasculation) should not obscure the gravity of the situation he describes, particularly with regard to the corrosive impact of Orientalist assumptions and influence on Easterners themselves.
American culture in the 1970s by Will Kaufman