By Thom Rouse

ISBN-10: 1682030040

ISBN-13: 9781682030042

Thom Rouse turns out to have an unbridled creative sensibility. during this e-book, he bargains up for evaluation sixty of his favourite fine-art photos. Rouse takes photographers behind the curtain of his inventive approach, exhibiting the beginning point—always a portrait, captured by means of him—and then information the Photoshop instruments and strategies he used and, occasionally, a few “accessory” pictures that he provides into the combo, to create a dramatically diversified murals. whereas the elements and tone of every photograph range from web page to web page, Rouse strictly keeps that his artistic procedure relies at the concept that every one murals needs to, at its middle, stay photographic. In different phrases, his fine-art works are better, stylized photographs that go beyond the boundaries in most cases self-imposed by means of portrait artists. His objective in developing the booklet is to coach and encourage different photographers—or, within the phrases of the artist—to “show you anything you haven’t obvious before.”

This ebook includes a number of appealing graphics that collide with a wierd collections of elements—one portrait, entitled Shhhh, is coupled with decorative wood fish, goose wings, and components of an airplane; one other, referred to as Andromeda, makes use of complicated Photoshop mixing strategies and texture layers to create a Gustav Klimt-inspired consider within the photograph—to create a storytelling piece that elevates the portrait to a very good artwork classification. On web page after web page, you’ll observe how Rouse conceptualized the featured murals, the stairs he took to convey the idea that to lifestyles, and the interestingly attractive creative portrait result.

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Additional resources for After the Camera: Digital Transformations for Conceptual Nude & Portrait Photography

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Although we continued for several hours and many hundreds of exposures, this was the pose for the image Electra . Collaborating with a model and encouraging improvisation in posing yields results that a photographer would not have achieved by being overly directive. On the other hand, the photographer should not abandon all control and direction of the concept. The chemistry between models and photographers varies greatly, and in some cases a wonderful fluid rhythm develops during a session with an almost wordless communication and fluid shift between poses.

Cloud and fog layers were added in a number of different blending modes and opacities to blend the background images and keep them subtle and ambiguous. Hands A woman in flight element The skull in the background Escape Velocity , finished image 19 Etched in Stone T his piece was created shortly after I舗d begun to use Photoshop software as a fine art tool. I created a finished and obviously manipulated image using Photoshop not just to correct and enhance a photograph, but as the mechanism and technology to create the finished image.

The architecture was simplified by removing all but the essential elements and floats with no apparent ground beneath it. The dark moon was created from a snapshot image of a blood moon eclipse taken long before I even thought of becoming a photographer. Although grainy and very small in the frame, a print of the moon was scanned and passed repeatedly though the Reduce Noise filter, and a crescent was added with a selection and Curves adjustment layer. The cardinal, from my personal image stock, was posed on the subject舗s hand.

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After the Camera: Digital Transformations for Conceptual Nude & Portrait Photography by Thom Rouse


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